Stumptown Comic Fest 2012 (and Supporting Indie Creators)

This weekend in Portland, Oregon, is the annual Stumptown Comics Fest, a gathering of comics creators and fans that has help to galvanize a certain cross-section of creatives in this town. I started my self-publishing career at a similar show, the Alternative Press Expo, which at the time was still located in San Jose, California. This was back in the days before the Internet, when being an Independent publisher meant you had a good hook-up at Kinkos who worked the graveyard shift. Back then, as it is now, most of the creators at A.P.E. were putting out comics. My good friends Ian and Tyson Smith were doing Oddjob for Slave Labor Graphics, and Jim Hill, whom I had yet to meet, was also publishing Caffeine through Slave Labor. There were also a handful of publishers, like myself, who were strictly doing magazines. This is where I met Eric and Martin from Giant Robot, who were some of the earliest supporters of BadAzz MoFo. And then there was Bust, Life Sucks Die, and a few others that I can’t recall at the time. Continue reading

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Spring Sale

For a limited time you can get Darius Logan: Super Justice Force for the low price of $7.99. This sale won’t last long, so hurry and order now.

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Books for Teen Boys: A Moral Obligation

Long before my agent said it, I knew there might be difficulty finding a publisher for my book. I had researched the Young Adult market, and come to the conclusion that books for teens over the age of 13 tended to be written and marketed primarily to girls. This was especially true several years ago, during the initial Twilight frenzy, before a handful of books like Shipbreaker and The Monstrumologist came along to offer glimmers of hope for boys who weren’t interested in reading about books mired in the sappy romantic entanglements of girls torn between vampires and werewolves.

Although my agent felt we were going into a difficult market during uncertain economic times, he was convinced we would eventually be facing a bidding war for Darius Logan: Super Justice Force. Much to his disappointment—and, I must confess, mine as well—all we got were rejections. And with each rejection, there came a few very interesting comments as to why the book was getting the shaft. The three things we heard most consistently were “teen boys don’t read,” “not girl-friendly enough,” and “there’s no market for a book like this”—which I suppose covers both teen boys not reading and not being girl-friendly enough. I can’t recall how many rejections I got—but add up all the major publishers in North America and you’ll have ballpark number—and every one of these rejections pointed out that either teen boys didn’t read, my book was not girl-friendly enough, there was no market for the book, or sometimes, combinations of these three truths. Continue reading

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What Does the Silence of HUNGER GAMES Author Suzanne Collins Say About Racism?

I’m sure that by now many of you are familiar with the recent wave of racism surrounding  Hunger Games, and a cross-section of fans who were outraged that some characters from the book were portrayed by black actors Dayo Okeniyi (left) and Amandla Stenberg (right). If you’re not familiar with what has been going, please take a moment to read about. The New Yorker has a solid piece that pretty much explains it all. To be honest, I’ve been hesitant to weigh in on the subject, as I feel like I’ve been plenty vocal in multiple outlets about issues of race and gender in not just Young Adult literature, but in popular culture as well for a long time. But the more I read about this disturbing nonsense as it relates to Hunger Games, the more infuriated I become. And at this point, I’m especially agitated with one person in particular, Hunger Games author Suzanne Collins. Continue reading

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book reviews – THE MONSTRUMOLOGIST and THE CURSE OF THE WENDIGO

The first installment in Rick Yancey’s series about a young boy working for a scientist who hunts monsters is an incredibly impressive novel. Set in the late 19th century, The Monstrumologist recounts the grisly exploits of twelve year-old orphan Will Henry and his guardian/boss, Dr. Pellinore Warthrop, a renowned monstrumologist. Will’s father had been the trusted assistant of Warthrop, and now that his parents are dead, and he has nowhere else to go, he finds himself slaving away for the self-absorbed scientist as the hunts a pack of vicious Anthropophagi—headless creatures with mouths in the middle of their chests and a taste for human flesh. Creepy, violent and rich with character development, The Monstrumologist lays the foundation for the complex relationship between Will and Warthrop. It is a great introduction and a wonderful set-up for the second installment, The Curse of the Wendigo, which in many ways is a stronger book. Continue reading

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fan art – JIM MAHFOOD

This drawing of Darius Logan comes to us from another good friend of mine, the incredibly talented Jim Mahfood. Jim is the creator of Grrl Scouts, Stupid Comics and a whole host of other great projects. He has worked for Marvel, DC, Image and Oni. Check out more of Jim’s work on his WEBSITE (NOTE – some material may not be suitable for younger viewers).

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book review – SHIP BREAKER

After a conversation about the trouble I was having finding good books for older teenage boys, a friend sent me a link to an interview with author Paolo Bacigalupi. As soon as I was done reading the interview (which you can read here), I went out and picked up a copy of Bacigalupi’s YA debut, Ship Breaker. Set in a post-apocalyptic dystopian future, Ship Breaker finds teenage Nailer and his friends salvaging the remains of ancient oil tankers. When Nailer stumbles across the wreckage of a luxury cruiser, he makes a startling discovery that will set him off on a deadly adventure that will forever change his life.

Fast-paced with plenty of action, Ship Breaker is a sometimes violent, always engaging coming-of-age tale. Bacigalupi populates the book with memorable characters locked in high-stakes, game of survival. He takes the story and his hero places that might seem too violent and grim for some readers, but it’s the two-fisted nature of the story that makes it both engaging and entertaining, and Bacigalupi never disappoints. Nailer is a great character, with a compelling story arc that drives the story, and even though Ship Breaker is written with older teen boys in mind, there are some great female characters to balance out the story.

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fan art – ARVELL JONES

This incredible drawing of Darius Logan comes from none other than legendary comic artist Arvell Jones. I’ve been a fan of Arvell’s work since the 1970s, when he drew early appearances of one of my favorite superheroes, Iron Fist, in Marvel Premiere. Arvell has worked for both Marvel and DC, which included his impressive run on All-Star Squadron. Arvell’s interpretation of Darius means a lot to me, in part because I’ve always wanted to collaborate with him in some way, but also because he helped inspire my imagination, leading me to create Darius Logan and all the characters in his world.

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book reviews – THE ENEMY and THE DEAD

Hands down, Charlie Higson’s The Enemy is one of the best YA books I’ve ever read. It also happens to be one of the best horror books I’ve read as well. In something of a cross between Lord of the Flies and 28 Days Later, The Enemy finds modern-day London ravaged by a terrible plague that has killed off everyone over the age of 14. The handful of adults that have survived the plague are shambling cannibals out to devour the children who struggle to stay alive.

Perhaps best know for his Young Bond series chronicling the adventures of James Bond before he becomes a secret agent, Higson has already proven himself to be a talented writer. But nothing in the Young Bond series can compare to The Enemy, which is Higson at the top of his game. Fast paced, violent and surprisingly grim, The Enemy isn’t for young readers or the squeamish. But if you are a fan of horror, especially zombie-fied horror reminiscent of movies like 28 Days Later and Dawn of the Dead, then you should enjoy The Enemy. Continue reading

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I Needed a Hero

True story: several of the rejections that I got for Darius Logan: Super Justice Force made mention of how difficult it was for certain editors to relate to Darius. None of them came out and said they couldn’t relate to him because he was black, just that they couldn’t relate to him. Fair enough, I suppose. But I can’t help but wonder exactly what it was about Darius that they couldn’t relate to. Was it the fact that he was an orphan, like Harry Potter, Spider-Man or Batman? Was it that he found himself stuck in a violent world not of his own making like Katniss Everdeen? Was it that he was a tortured soul struggling to stay survive like…well…like many characters in some of the most popular stories of all time?

The fact of the matter is that aside from the recurring “teenage boys don’t read” and “this isn’t girl-friendly enough” responses that accompanied every single rejection of DL:SJF, one of the most common complaints editors had was that they couldn’t relate to Darius. Honestly, I’m still trying to wrap my brain around what that means, and unless it meant that my book was so poorly written that Darius was an unlikeable jerk, then it most likely meant that some people couldn’t get behind the fact that he was black.

When I was a kid growing up—and this was about a million years ago—I spent too much time watching television and reading comic books. On any given day I wanted to be either Batman (as in the Adam West version from television), Captain Kirk from Star Trek, or Col. Steve Austin, The Six Million Dollar Man. As you can see by their pictures above, all three of my childhood heroes were white. I also idolized James Bond (also white), Starsky and Hutch (white), and Bruce Lee (not white). But as far as black heroes went, they were few and far between. I wasn’t into sports, although I thought Muhammad Ali was super cool, I wouldn’t discover the heroes of blaxploitation movies until I was a bit older, and no matter how hard I tried, I could not find myself looking to Jimmie “J.J.” Walker (left) on Good Times as some sort of role model.

The point I’m getting at is that when I was a kid, I took my heroes where I could find them, and for better or worse, most of them were white. It didn’t seem like that big of deal back then, but looking back, it had a profound impact on me. When you are a child of color, and nearly all of the heroes you see on television and in films don’t look like you or anyone in your family, it messes with your mind and feeds into myths of inferiority and superiority that fuel the fires of racism and discrimination. The same is true for books. I grew up reading the Hardy Boys adventures and the Three Investigators and all those other books young boys read in the 1970s. And there were seldom any black heroes solving mysteries or saving the day. Sure, you had books like A Hero Ain’t Nothing But a Sandwich, but that wasn’t fun escapist reading. That was depressing.

I find it interesting that nearly all of the popular Young Adult fiction that delves into the realms of the fantastic, horrific or the action-packed, always features white heroes (with the occasional black supporting characters), and we all have no problem relating to anyone. But when it comes to black characters in YA, it seems like they must be relegated to tales of the ‘hood, sports, slavery or Civil Rights in order for people to relate to them. And that to me is unacceptable, which is part of the reason I wrote Darius Logan: Super Justice Force—I needed a hero. If a reader, regardless of age, gender or ethnicity can’t relate to Darius, then it is my fault as a writer. It means that I’ve created a character lacking in humanity. But if the real reason someone can’t relate to Darius is because he’s black (or perhaps because he’s male), then that’s not my problem to deal with.

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